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Lessons from the Palenque: How Mezcal Is Learned

Wed, Mar 18, 2026

Lessons from the Palenque: How Mezcal Is Learned

It's a family affair at Lopez Real Mezcal, an artisanal distillery led Doña Sabina — what we learn is the importance of asking who's doing the work and how we can change the system to recognize them.

Mezcal is something unto its own — smoky, layered, a little mysterious. Let’s delve into that mystery for a moment — the culture, the craft, and one extraordinary woman behind one of the mezcals that’s earned a place on my home bar: Doña Sabina Mateo of López Real.

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In Santiago Matatlán, Oaxaca — often called the world capital of mezcalDoña Sabina runs the López Real palenque, a family distillery producing mezcal since 1957. After the passing of her husband, Mario López, she carried the work forward alongside her sons, preserving the traditional methods that define López Real today.

Doña Sabina Mateo is a quiet lady flex — holding the reins of the López Real palenque in an industry where leadership has traditionally been passed from father to son


The mezcal is made the way many small palenques still work — slowly, manually, and close to the land. Nothing rushed. Nothing industrial. Just patience, physical work, and a deep understanding of the plant — the kind of knowledge that gets passed down.  

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Women Behind the Still

In mezcal, that knowledge is passed through the family.

And that includes the women.

Reporting from Mezcalistas — a publication that interviews mezcal producers across Oaxaca — shows women learning the work from a young age, inside the palenque, alongside men. Women have long been involved in nearly every stage of production — preparing agave, managing fermentation, supporting distillation, and running family operations — often doing the same work as men, even as the title of mezcalero was traditionally passed to them.

As Mexico News Daily reports, women were often “equally involved in managing production” but still referred to simply as “the mezcalero’s wife.”

That’s the structure.

The knowledge is shared.

The title is not.

Doña Sabina is the one holding both.

“The issue isn’t whether women know the process. It’s who gets named.”

The Hands Behind the Bottle

If we’re going to romanticize craft spirits — the palenque, the agave fields, the generational knowledge — then we also need to talk about the labor that makes that possible. Because agriculture everywhere runs on migrant labor. Not just in Mexico.

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In the United States too. Since World War II, the U.S. government has operated versions of the same policy: bring migrant workers into the country when farms need labor, then pretend they shouldn’t be here once the harvest is over.

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The Bracero Program, launched in 1942, imported millions of Mexican agricultural workers to keep American farms running during the war. When it ended in the 1960s, the need didn’t disappear. It just changed paperwork. Today it exists through the H-2A guest worker program, which allows farms to recruit foreign workers when there supposedly aren’t enough Americans willing to do the job. Notice the wording.

“Not enough Americans willing.”

Because the truth is simpler than the politics: the work is hard, seasonal, and underpaid. Americans don’t want it — and farmers know it. So the system does something strange. It recruits migrant labor while politically demonizing migrants.

"I want you to think for a minute about the decades of abuse that has been heaped upon the good people of this nation... Who is going to stand up for the safety and security of American girls, women, and families and declare that cartels, criminal migrants, and gangs are gone? America is for Americans and Americans only!"

Workers are brought here because the agricultural economy depends on them. But the same workers are often placed in precarious positions that make them easier to control — and too often easier to exploit.

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In the summer of 2019, a crew leader tasked with overseeing farm laborers sent them to harvest corn in a field where they weren’t authorized to work — and where there wasn’t adequate protection from the sweltering sun. One of them died of symptoms of heatstroke. Five months later, a crew leader for another Georgia farm kidnapped and brutally assaulted one of his workers who had escaped. Two years after that, a third crew leader confined workers to housing surrounded by an electric fence so they couldn’t try to flee.

Federal investigations routinely uncover millions of dollars in stolen wages from agricultural employers.

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The people harvesting crops — the people whose labor feeds the country — are often the people with the least power to demand the wages and conditions the law already promises them.

And when those workers disappear, prices rise — with labor shortages driving costs up by 5–12% — while taxpayers spend over $150 a day per person to detain workers this industry depends on. At current levels, that adds up to roughly $3–4 billion a year, with plans to expand detention toward 100,000 people at a time — pushing costs even higher, all paid by taxpayers.

So why are certain parties, candidates, and platforms vilifying, punishing, and detaining the very workers this industry relies on? Something to think about before the next election.

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So What Do We Do With That?

Well we don’t stop drinking, that’s no fun.

But I think it’s important we all understand what we’re drinking. Because once you know how this works — how knowledge is shared, how labor is shared, and how recognition isn’t — it changes what you pay attention to.

Who’s named. Who’s not. Who gets brought into the story.

That’s a responsibility I bring to my work — and one I ask my industry compatriots to take on as well. We choose which bottles move. We choose which names get repeated. We choose which stories get told.

And I ask you to put us to task.

Ask who made it. Notice who gets credited. Support the producers who are doing it differently.

Because mezcal doesn’t just carry flavor. It carries structure — of labor, of tradition, of power. And if we’re going to celebrate what’s in the glass, we should be just as honest about everything that got it there.

And that’s what makes Doña Sabina worth celebrating. For the mezcal she makes — and the privilege to say her name.

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By Izzy Ruiz

Tags: mezcal mexico oaxaca agave mezcalera labor labor rights worker migrant worker workers rights immigration policy discrimination farming farmer wage protest family artisanal